- Planet of the apes motion capture gif movie#
- Planet of the apes motion capture gif skin#
- Planet of the apes motion capture gif series#
You may not have heard of Sinbad: Beyond The Veil Of Mists, but it's an important milestone in the history of animated film: it's the first movie made primarily with motion-capture. But by this point, motion-capture had found a new lease of life. In the 21st century, director Richard Linklater adopted the rotoscope technique in 2001's experimental drama Waking Life (each frame of reference animated digitally) and again in A Scanner Darkly in 2006. In 1978, Ralph Bakshi used the technique to animate his vastly truncated Lord Of The Rings movie and followed it up with American Pop (1981) and Cool World (1992), starring Brad Pitt opposite an animated Kim Basinger. Motion-capture didn't really advance much over the subsequent decades, although rotoscoping never really went out of fashion. It was a smash hit, and Disney used rotoscoping for several other features including Peter Pan, Alice In Wonderland and Sleeping Beauty. In 1937, the company released their first feature-length movie, Snow White And The Seven Dwarfs, which was animated by shooting actors playing out the parts and then tracing over the motion they provided. Looking for new and exciting ways to bring their characters to life, Disney adopted rotoscoping – also known as live-action reference – and began to experiment using it in motion pictures.
Planet of the apes motion capture gif series#
Fleischer's series Out Of The Inkwell utilised this method, including animated classics like Koko the Clown and Fitz the Dog. In 1915, he devised the Rotoscope, a concept which saw animators trace over frames of live-action film to give cartoon characters a recognisable fluidity, if not a photo-realistic look. The earliest example of the entertainment industry using motion-capture is probably the short films of animator Max Fleischer. The basics of motion-capture are thus: you have real participants provide a template of human movement and translate that movement into another medium. Late in the 20th century, before it was co-opted by Hollywood, motion-capture was a photogrammetric analysis tool in the field of biomechanics, and was used for sports, education and even videogames like Prince Of Persia. In actual fact, rudimentary motion-studies have been around since the 19th century, pre-dating cinema itself, and were primarily used for understanding better how humans and animals move. Along with that, they used Notary to play Caesar in stunt-filled scenes such as the Golden Gate Bridge scene.You probably know motion-capture as the thing with the ping pong balls and the silly lycra suits.
Refraction.While Andy Serkis was the primary performer for Caesar, as the effects team considered that at times "Andy overcame the character," other motion capture team actors were also used,Įspecially Devyn Dalton, whose height matched that of a chimpanzee. Performance required expressive eyes, a new eye model was made to depict both greater accuracy in muscle movement in and around the eyes, and also tears, pupil dilation, and light Given theĭifference between human and chimpanzee facial muscles, the animators tweaked the performance through a new facial muscle system adding dynamics, ballistics, and secondary motion.
Planet of the apes motion capture gif skin#
Cast models of apes heads and limbs helped the texture department replicate skin details such as wrinkles and pores. Skeletons, muscles and nerve tissue layers for accurate animation. The digital apes also received detailed models with The Golden Gateīridge set used both a physical set which was extended digitally, and a fully computer-generated model of the bridge that also included the ocean and nearby hills.Ģ) After shooting the actors playing humans interacting with others wearing the motion capture suits, a clean plate was shot with actors for extra reference.Īctor-stuntman Terry Notary guided the actors on realistic ape movement, while Weta studied the chimps in the Wellington Zoo for reference. A maximum of six actors could have their movements captured, with larger ape crowds using fully digital animals animated using Weta's move library. The main breakthrough was a camera that enabled viewing the motion capture dots in daylight, employed mostly for Advances in the technology allowed the use of performance capture in an exterior environment, affording the film-makers the freedom to shoot much of theįilm on location with other actors, as opposed to the confines of a soundstage. Weta Digital created the apes digitally in almostĮvery case through performance capture.
1) As the apes in the film were meant to be actual apes, the producers decided not to use actors in ape suits.
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